Icons
Elizabeth Streb, 2014, Oil on linen, 60” x 40”
Thelma Golden, 2012, Oil on linen, 58” x 38”
Elizabeth Murray, 2011, Oil on linen, 60” x 40”
Paola Antonelli, 2011, Oil on linen, 60” x 40”
Masamichi Udagawa and Siri Moeslinger, 2014, Oil on linen, 50” x 40”
Vito Acconci, 2012, Oil on linen, 58” x 38”
Duke Riley, 2014 , Oil on linen, 40” x 60”
Jane Dickson, 2014, Oil on linen, 40” x 60”
Marie Howe, 2014, Oil on linen, 60” x 40”
Anne Pasternak, 2012, Oil on linen, 58” x 40”
Reif Larsen, 2014, Oil on linen, 60” x 40”
Bob Holman, 2012, Oil on linen, 60” x 43”
Alex Katz, 1987, Acrylic on linen, 60” x 30”
Alex Katz Revisited, 2014, Oil on linen, 60”x 40”
For Alice, 107th and Broadway, 1984, Acrylic on linen, 60” x 40”
I.B.Singer, 1985, Acrylic on linen, 56” x 36”
America, Portrait of A. Ginsberg, 1985, Oil on linen, 71” x 40”
Portals
Corona 1
Corona 2
Corona 3
Having passed through some of the scariest times of the pandemic and thankfully surviving Covid’s initial surge, I found myself wanting to express what I was feeling. We all lived with the knowledge that “it” remained all around us, yet we still yearned to return to our lives and the former times we freely shared with our family, friends, and colleagues. I was keenly aware that these same thoughts were shared by virtually everyone throughout the world, and I set out to capture that state of hopeful optimism while grounded in the reality that the virus that surrounded us still maintained a grip on our lives. I pulled images from some of the most familiar elements of my body of work – flowers – symbols of hope throughout many, if not all cultures. Even though this disturbing experience was playing out across the globe, I drew upon images of flowers that I had grown, using their beauty to remind us of sweeter times, times when we were able to freely gather with loved ones.
Omicron Christmas
Delta New Year
Delta Valentine
Delta Easter
Subway Stories
Harry Nugent, 1991, Acrylic on canvas, 62” x 28”
Portraits and Tales from the NYC Subway are large vivid color saturated portraits of seven NYC underground heros, set against the subway backgrounds where they worked: a love story leads to marriage on the 5 train, a track worker who delivers a baby on a racing train and brings her back to life, a blues musician spreads the joy of life in the canyons of the 42nd St. station, even TA, a stray cat who finds a warm home in the underground offices at West 4th St. Station.
Subway Joe, 1991, Acrylic on linen,
Elijah Staley, 1991, Acrylic on linen, 30” x 60”
Miguel, 1991, Acrylic on Canvas, 24” x 56”
Intimate Feasts
Intimate Feasts celebrate the joys of daily life, depicting shared moments of meals prepared by my husband and muse, Fred May. Whether dining as a couple or with friends or family, the daily routine of dining is an artistic collaboration that ultimately document on canvas. The work is born of joy and thankfulness. The paintings are uniformly meticulous. These paintings function as full records of treasured meals, and cherished moments.
Landscape
Untitled, 1975, Watercolor, 20” x 30”
Untitled, 1975, Watercolor, 20” x 30”
Untitled, 1975, Watercolor, 20” x 30”
Untitled, 1975, Watercolor, 20” x 30”
Untitled, 1975, Watercolor, 20” x 30”
Chrysler Building, 1992, Mixed-media, 30” x 20”
Brooklyn Bridge, 1992, Mixed-media, 30” x 20”